Behind the Scenes of "Zuckerberg vs Musk: Cage Fight"

Read Time:23 Minute, 57 Second

Interview with Alan Nafzger

In the back of the Scenes of “Zuckerberg vs Musk: Cage Battle“

Via Katy Room

Katy Room: Alan, thanks for sitting down with me these days to speak about your riveting script, “Zuckerberg vs Musk: Cage Battle.” Your screenplay has captured the imaginations of many. Let’s delve into some key scenes.

Scene 1: The Fallout and the Apocalyptic Overtones

Katy Room: Scene 1 is ready in Minute Maid Park, and it is an emotionally charged second between Musk and Zuckerberg. Each characters transfer between panic, desperation, and humor. What impressed you to juxtapose those intense feelings in any such claustrophobic atmosphere?

Alan Nafzger: The cage combat is the epitome of bodily fight, however what occurs when those robust personalities are confined via cases? I sought after to discover the vulnerability and desperation they could really feel, offset via humor, to lead them to extra human and relatable.

The Position of Generation and Human Connection

Katy Room: The characters make pressing calls to their households. What are you looking to put across right here in regards to the dating between era and human connections?

Alan Nafzger: Regardless of being pioneers in era, each are reliant at the maximum elementary type of communique—a decision to their family members. It is a second that presentations that regardless of how complex we turn into, our elementary human wishes stay the similar.

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Scene 2 & 3: Place of job Dynamics and Twittersphere

Katy Room: Scene 2 and three are set in Musk and Zuckerberg’s respective places of work. How did you make a decision what components to incorporate within the background to characterize their distinct focuses?

Alan Nafzger: Musk’s center of attention on house and innovation is starkly contrasted via Zuckerberg’s earth-centric means. I believed the delicate place of work decor would offer an additional layer of intensity to those characters, making their variations extra obvious.

The Twitter Battleground

Katy Room: Twitter performs a the most important function right here. Why did you select this platform as their battleground?

Alan Nafzger: Twitter has turn into this modern day area the place titans conflict, no longer with swords, however with phrases. I believed it will be the highest level for 2 influential figures to have interaction in a struggle of wits and philosophies.

Scene 4 & 5: The Disagreement and Place of job Debate

Katy Room: Scene 4 options Musk in his Tesla, obviously agitated. How does this scene advance the continuing discussion about privateness and knowledge assortment?

Alan Nafzger: Musk is ceaselessly observed as this calm, rational determine. I sought after to exhibit a second of vulnerability, the place his personal era mockingly provides to his tension. It is also an opportunity to convey up problems about privateness, appearing that even those that make the era aren’t resistant to its pitfalls.

The Significance of Empathy

Katy Room: Scene 5 presentations a fascinating debate amongst Fb workers. How does this upload to Zuckerberg’s narrative concerning the significance of empathy and human connection?

Alan Nafzger: The talk amongst Fb workers is a microcosm of the bigger dialog going down between Zuckerberg and Musk. It reiterates Zuckerberg’s philosophy—bridges are about connecting folks, similar to social media.

Katy Room: Alan, your script tackles some intense subject matters whilst keeping up a humorousness and humanity. Thanks for sharing your insights with us these days.

Alan Nafzger: Thanks for having me, Katy. It used to be a excitement to delve into the intricacies of the script with you.

Katy Room: And that wraps up our behind-the-scenes take a look at “Zuckerberg vs Musk: Cage Battle.” From the cage to the cosmos, this screenplay gives a compelling exploration of era, humanity, and the non-public battles of 2 of these days’s maximum enigmatic figures. Keep tuned for extra.

Scene 6 & 7: The Thumb Warfare and Bedside Twitter

Katy Room: Scene 6 brings in levity with a thumb battle, contrasting with the depth of a Twitter duel in Scene 7. How do you suppose this humor provides to the storytelling?

Alan Nafzger: Humor is a handy gizmo for losing mild at the human aspect of those larger-than-life characters. It makes them relatable, appearing that regardless of their huge affect, they’re simply folks navigating thru a chain of demanding situations and feelings like any individual else.

Scene 8: Colbert’s Display and the Guess

Katy Room: The bet proposed on Stephen Colbert’s display provides an additional layer of suspense. How did you get a hold of any such distinctive guess, particularly the funny twist about proudly owning MySpace?

Alan Nafzger: I sought after to spotlight the stakes whilst including a comedic layer. The bet amplifies the strain, and the MySpace shaggy dog story serves as a reminder of ways brief luck within the tech global may also be.

Scene 9 & 10: Up the Ante

Katy Room: Scene 9 and 10 introduce extra at stake, together with controlling the opposite’s Twitter. Is that this a nod to the giant affect those platforms have over the narrative?

Alan Nafzger: Precisely. It’s a dramatized solution to underline how a lot energy is living in those platforms, and the way even those titans of tech aren’t past being influenced or probably compromised via them.

Scene 11 & 12: Agreeing Phrases and Public Debate

Katy Room: Scene 11 and 12 get us to a public discussion board, a press convention the place each Zuckerberg and Musk agree on phrases. How do you depict their contention becoming mutual appreciate?

Alan Nafzger: Thru their banter and negotiations, they start to see each and every different no longer simply as adversaries however as equals. There’s a way of appreciate for each and every different’s mind and for the sport itself, which units the level for a captivating showdown.

Scene 13 & 14: The Grand Debate and Social Media Frenzy

Katy Room: The talk in Scene 13 reasons a real-life meals combat in a Google cafeteria in Scene 14. Is that this a observation on how deeply those debates penetrate into our day by day lives?

Alan Nafzger: Completely. This hyperbolic depiction serves to emphasise how divided now we have turn into as a society, ceaselessly because of the agendas and narratives driven via influential figures and platforms.

Scene 15: The Ultimate Disagreement

Katy Room: The screenplay involves a head with Musk studying concerning the debate on-line and issuing a bodily disagreement. What led you to this explosive climax?

Alan Nafzger: The virtual realm can best comprise such a lot pressure sooner than it spills over into the genuine global. The bodily disagreement is without equal embodiment in their contrasting philosophies and ambitions. It’s the overall frontier for his or her struggle.

Scene 16 & 17: Input Dana White

Katy Room: UFC president Dana White enters the image in those scenes. Let us know about his involvement and the way he is helping escalate the strain.

Alan Nafzger: Dana White serves because the catalyst to transform this virtual sparring right into a bodily cage fit. His presence provides legitimacy to the combat, and his comedic remarks upload a lighter tone.

Scene 18 & 19: Media Frenzy and Digital Press Convention

Katy Room: After Dana White is of the same opinion to the combat, the media is going wild. How necessary used to be this press protection to the script?

Alan Nafzger: The media protection amplifies the stakes and captures public pastime. It is also a nod to the real-world energy that media holds in shaping our views.

Scene 20: The Philanthropic Perspective

Katy Room: Each Musk and Zuckerberg pledge $100 million to charities in the event that they win. What triggered this inclusion?

Alan Nafzger: It provides every other layer of complexity to the combat, making sure it isn’t simply an ego conflict but additionally a struggle with really extensive societal affects.

Scene 21 to twenty-five: Public Response

Katy Room: The script now is going into public areas—bars, dorms, and so on. Why did you are feeling it used to be vital to incorporate those numerous places?

Alan Nafzger: Those scenes emphasize how pervasive the development has turn into. Whether or not you are at a bar or a dorm, persons are speaking about it. The assorted places spotlight the script’s common enchantment.

Scene 26: The Involved Aged

Katy Room: An aged couple discussing the development introduces a fascinating point of view.

Alan Nafzger: They constitute a demographic much less engaged in tech however nonetheless suffering from its broader penalties. The grandmother’s worry provides a slightly of humanity to the spectacle.

Scene 27 & 28: Comedic Takes

Katy Room: YouTubers and comedians like John Oliver upload humor to the combo. Is humor a key part for you?

Alan Nafzger: Humor acts as a social observation, slicing throughout the pressure and serving to us mirror at the tournament’s absurdity.

Scene 29 & 30: Coaching Montages

Katy Room: Charles Barkley discusses the educational regimes of Zuckerberg and Musk. What used to be the idea at the back of those elaborate coaching montages?

Alan Nafzger: Coaching montages are a staple in any combat movie. It is the place we see the characters’ vulnerabilities and their dedication, including intensity to their personas.

Scene 31 & 32: The Ultimate Countdown

Katy Room: The script closes with a take a look at how the educational is being won via the general public. How did you envision finishing the script?

Alan Nafzger: It’s a nod to the facility of public opinion. It underscores that past the combat, it is a struggle for the narrative. And so, the general public’s response acts as a last pass judgement on sooner than without equal showdown.

Scene 33 & 34: International Anticipation and Fan Critiques

Katy Room: The worldwide anticipation builds up in those scenes, particularly with fanatics heatedly arguing in sports activities bars. Alan, how do you notice this international pastime taking part in out within the narrative?

Alan Nafzger: The scenes serve to underline simply how international this tournament has turn into. From on a regular basis fanatics in sports activities bars to global sports activities protection, the combat isn’t just an American phenomenon however an international sensation.

Scene 35 to 37: The Social Media Conflict

Katy Room: Each Musk and Zuckerberg take to social media, but their approaches range. May just you elaborate on that?

Alan Nafzger: Completely. Musk is more uncomplicated, emphasizing the charitable perspective. Zuckerberg, alternatively, mocks Musk’s selection of platform, which presentations their contrasting types, no longer simply in industry however in lifestyles.

Scene 38 & 39: Coaching and Viral Hypothesis

Katy Room: We go back to coaching scenes and in addition see social media analysts speculating on sequels. Are sequels one thing you’ve regarded as?

Alan Nafzger: The social media hypothesis is extra of a nod to how viral phenomena like this can result in quite a lot of spin-offs or sequels. So, sure, it is one thing at the desk however no longer outlined but.

Scene 40 to 42: Broadening the Horizon

Katy Room: Those scenes incorporate discussions from newsrooms to the Italian Tradition Minister’s place of work. How necessary used to be it to incorporate those numerous views?

Alan Nafzger: Those are intentional inclusions to turn the combat’s far-reaching implications, from information protection to cultural or even global discussions.

Scene 43 & 44: The Famous person Lens

Katy Room: Conor McGregor, Jeff Goldblum, and Invoice Murray seem. What do those superstar interactions convey to the tale?

Alan Nafzger: They bring about levity and cultural forex. McGregor’s promotional talents lift the combat’s profile, whilst Goldblum and Murray supply a comical and philosophical take, making the storyline even richer.

Scene 45 & 46: The Political and Moral Angles

Katy Room: We move as prime because the Oval Place of job, discussing prison and moral sides. Is that this a observation at the scale of affect tech moguls cling?

Alan Nafzger: Exactly. It’s a observation on how deeply ingrained those tech figures are in our society that their movements warrant dialogue on the best ranges of presidency.

Scene 47 to 49: The What-Ifs and Marketplace Implications

Katy Room: From Italian regrets to Wall Boulevard debates and political calculations, you discover the development’s have an effect on on quite a lot of sectors. What is your take in this?

Alan Nafzger: The varied scenes intensify how the combat isn’t only a one-off tournament however a catalyst for discussions in tradition, politics, and economics.

Scene 50 & 51: The Houston Issue

Katy Room: Houston turns into the selected location for the combat. What does this upload to the script?

Alan Nafzger: Houston represents a mix of American custom and long run aspirations, just like our two protagonists. The site thus turns into a personality in itself.

Scene 52: The Ultimate Countdown

Katy Room: Meryl Streep and Colin Fletcher analyze leaked coaching photos within the ultimate scene. A singular solution to finish issues?

Alan Nafzger: It’s a nod to the eclectic nature of this complete saga. Who higher to research a tech rich person combat than a mythical actress and an MMA professional?

Without a doubt, Katy. My apologies for the oversight.

Interview with Alan Nafzger on Key Scenes 53-66 of “Zuckerberg vs. Musk: Cagefight“

Interviewer, Katy Room: Alan, on your screenplay, the phenomenon of this Zuckerberg-Musk cage combat turns out to move global obstacles, even appearing up in a irritating scene on the North and South Korean DMZ. What impressed you to make this a world spectacle?

Alan Nafzger: The combat between those two titans is not simply an American pastime tale. Those males constitute international enterprises and their contention speaks to larger questions on energy and era that everybody around the globe grapples with.

Making a bet and the American Psyche

Interviewer, Katy Room: Vegas sportsbooks are humming within the scenes you’ve got written. How do you notice this cage combat reflecting or impacting the tradition of sports activities having a bet in The united states?

Alan Nafzger: I sought after to seize the spirit of American entrepreneurship and risk-taking. When you’ve got two large personalities duking it out, you’ll be able to guess American citizens will need a stake within the result, somewhat actually.

Scientific Ethics and Dramedy

Interviewer, Katy Room: An excellent period of time is spent on clinical examinations for Musk and Zuckerberg, even bringing humor into those scenes. What is the message you are looking to put across right here?

Alan Nafzger: Those aren’t athletes; they are tech moguls. So, there is a layer of absurdity in them present process clinical tests as though they are getting into the UFC octagon. But, it is critical—clinical ethics should not be lost sight of simply since the combat is a spectacle.

The Position of Media and Conspiracy Theories

Interviewer, Katy Room: From tabloid newsrooms to YouTube conspiracy theorists, you’ve got portrayed quite a lot of sorts of media amplifying the combat’s hype. What are you pronouncing concerning the function of media in such occasions?

Alan Nafzger: We are living in an age the place media is usually a circus replicate, each reflecting and distorting fact. Whether or not it is a tabloid or a YouTuber like Gary, everybody has an perspective, and the combat turns into a vessel for quite a lot of narratives.

Nearing the Battle: Arrangements and Considerations

Interviewer, Katy Room: The scenes main as much as the combat are filled with pressure and considerations, each private {and professional}, for Zuckerberg and Musk. Why did you select to concentrate on those sides?

Alan Nafzger: Neatly, I sought after to turn that they are human beings. They’ve considerations, households, companies to run. This combat is a spectacle, however it is usually a big lifestyles tournament for either one of them.

Remaining-Minute Regulations and Group Dynamics

Interviewer, Katy Room: Alan, Scene 67 portrays a heated dialogue between Zuckerberg and Sheryl Sandberg a few last-minute rule exchange. Why did you select to incorporate this inner struggle?

Alan Nafzger: In a atmosphere as unstable as a cage combat, a last-minute rule exchange is usually a game-changer. The conflict between Zuckerberg and Sandberg provides intensity to their characters and presentations that even a close-knit workforce will have cracks when prime stakes are concerned.

Tensions, Safety, and the Spectacle of the Weigh-In

Interviewer, Katy Room: The weigh-in scenes are fraught with pressure and elaborate safety features. What message are you looking to put across right here?

Alan Nafzger: Safety is not only about bodily protection; it is a manifestation of the power and international pastime within the combat. The weigh-in, in most cases a formality in carrying occasions, turns into a level the place each males should confront their bodily and mental readiness for the combat.

Emotionally Charged Moments Ahead of the Battle

Interviewer, Katy Room: You may have written scenes the place each Zuckerberg and Musk have personal moments to consider the combat’s importance. Why come with those softer, extra emotional scenes?

Alan Nafzger: Those males aren’t simply CEOs; they’re human beings with lives outdoor of the hoop. I sought after to exhibit that pressure between their public personas and personal anxieties, whether or not it is Zuckerberg looking to meditate or Musk considering his SpaceX desires.

Societal Divides and Protests: A Reflect to Truth

Interviewer, Katy Room: Scenes 72 thru 84 exhibit an international past the combat, relating protests and societal divides. Why did you suppose it used to be very important to function this?

Alan Nafzger: The combat itself is a microcosm of bigger societal problems—capitalism, affect, ethics, even international peace. The protesters and quite a lot of teams mirror the divided reviews and the possible penalties of constructing a spectacle out of such critical problems.

The Level of No Go back: Chaos Unleashed

Interviewer, Katy Room: The latter scenes point out some degree of no go back, resulting in a blackout and escalating violence. Why finish this phase on any such darkish be aware?

Alan Nafzger: I sought after to construct a crescendo that mimics the mounting pressure in society these days. The blackout symbolizes the purpose the place issues can both to find solution or erupt into chaos, and it leaves the reader—or viewer—wondering the place we are headed as a society.

Order Out of Chaos: The Aftermath

Interviewer, Katy Room: Alan, Scene 85 presentations the aftermath of the chaos. Police and emergency responders are at the scene, and reporters are reporting. Is that this a second of reckoning for the group?

Alan Nafzger: Completely. The aftermath serves as a pause button for everybody to mirror at the movements and penalties. It is a stark reminder that the development has spiraled into one thing a lot larger than only a combat between two tech moguls.

Media’s Position within the Mayhem

Interviewer, Katy Room: Anthony and Taisha within the press field talk about how the media could have exacerbated the location. How do you notice the function of the media right here?

Alan Nafzger: The media’s function is dual-edged. On one hand, they are reporting the information; at the different, the way in which they body those occasions can fan the flames. Anthony and Taisha are acutely aware of this subtle stability, main them to query their very own have an effect on at the unfolding chaos.

Public Pleas for Calm

Interviewer, Katy Room: Each Musk and Zuckerberg factor public pleas for calm. How efficient are those within the context of your screenplay?

Alan Nafzger: I feel they seize the essence of each males completely. Zuckerberg is buoyant and charismatic, whilst Musk is stern and intense. Their appeals no longer best distinction their personalities but additionally display that they perceive the gravity of the location. Their blended message, apparently, does appear to quell the chaos.

Getting ready for the Showdown

Interviewer, Katy Room: The next scenes display each and every guy in his part—Zuckerberg along with his Fb moderators and Musk with robot coaches. Why depict those scenes?

Alan Nafzger: The locker room scenes are the calm sooner than the typhoon. They are meant for example the diversities between the 2 males—no longer simply their control types but additionally their philosophies and the way they get ready for a struggle of this magnitude.

A Non permanent Ceasefire: Anticipation Replaces Violence

Interviewer, Katy Room: Simply as briefly because the violence erupted, it quells. What does this surprising shift symbolize?

Alan Nafzger: It presentations the facility of a collective center of attention. Regardless of their variations, persons are united of their anticipation of the combat, underscoring how simply public consideration may also be redirected, for higher or worse.

The Grand Entrances: Showcasing Philosophies

Interviewer, Katy Room: The entrances of Musk and Zuckerberg are grand spectacles. How did you make a decision at the track and visuals?

Alan Nafzger: The entrances are extensions in their personalities and missions. Zuckerberg’s theme, U2’s “One,” indicates cohesion and connection, which might be on the core of Fb’s venture. Musk’s selection of “Area Oddity” highlights his ambitions past Earth. Those entrances serve to encapsulate who those males are and what they stand for.

The Famous person Component: Ringside with Jesse Eisenberg and Ronda Rousey

Interviewer, Katy Room: Scene 100 introduces superstar reporters. What do they upload to the narrative?

Alan Nafzger: Jesse Eisenberg and Ronda Rousey convey a special point of view to the development. Eisenberg has portrayed Zuckerberg on display, whilst Rousey understands the dynamics of a bodily combat. Their banter provides a component of each humor and experience, rounding out the multifaceted viewpoints in this unparalleled tournament.

Each and every scene you’ve got requested about provides layers of complexity to the narrative, making the combat greater than only a bodily contest—it is a battleground for ideologies, social problems, and private philosophies.

I make an apology for the confusion. Let’s pivot again to an interview layout.

Alan Nafzger at the Cinematic Transition from Cage Battle to Zombie Apocalypse

SCENE 101 to 103: The Construct-up

Katy Room: Alan, the screenplay in point of fact selections up from SCENE 101 the place Invoice Gates, of all folks, is the hoop announcer. What used to be the idea procedure at the back of such an bizarre selection?

Alan Nafzger: Neatly, the combat scenes had been designed to be extra than simply two tech titans duking it out. We would have liked so as to add layers of intrigue and marvel. Having Invoice Gates as the hoop announcer throws in a component of irony and unpredictability.

SCENE 104: The Important Spherical

Katy Room: Scene 104 portrays no longer only a bodily contest however a conflict of ideologies. How did you stability this intricate narrative?

Alan Nafzger: Scene 104 is the most important. It’s no longer with regards to fists and grapples; it’s additionally a replicate to society’s divisions. The coaches and the commentators mirror those undercurrents, making it a multi-dimensional revel in for the target audience.

SCENE 105: Zombie Apocalypse Unleashed

Katy Room: Simply once we suppose it’s all a few cage combat, you throw in a zombie apocalypse! That is a gutsy transfer. What impressed this shift in tone?

Alan Nafzger: Ah, the zombie twist. We would have liked so as to add an exterior risk that will pressure those adversaries to rethink their enmity. What higher method than a not unusual enemy that wishes to consume them?

SCENE 106 and 107: Survival Mode

Katy Room: In opposition to the top, Musk and Zuckerberg transition from being competition to survivors. May just you discuss this dynamic exchange?

Alan Nafzger: Completely. To begin with, they are at loggerheads, even combating over a pistol. However survival intuition kicks in, they usually understand that the genuine enemy is outdoor the cage. This shift used to be the most important to turn personality expansion and the bigger theme of cohesion towards a not unusual adversary.

Katy Room: Your screenplay combines components of sports activities drama, horror, and political undertones in an odd atmosphere. How did you set up to mix those genres so seamlessly?

Alan Nafzger: It is about discovering a not unusual thread. On this case, it is the thought of pageant — be it for social affect, bodily supremacy, or survival. The genres would possibly appear disparate, however they arrive in combination thru this core idea.

Katy Room: One can not assist however suppose this is usually a billion-dollar thought, as Dana White discussed. Do you suppose the movie lives as much as that expectation?

Alan Nafzger: Neatly, I feel Dana White’s remark captures the essence of what we are looking to do. We are pushing obstacles right here. It’s no longer only a combat; it’s a spectacle, a societal mirrored image, and now, a survival saga. If that isn’t value one billion greenbacks, I don’t know what’s.

The Ultimate Act: A Rollercoaster of Feelings and Technique

SCENE 108: A Breather Amidst the Chaos

Katy Room: Scene 108 is a pause for the target audience in addition to the characters, with McGregor making a fog for protection and Zuckerberg appearing off his marksman talents. Why come with a concession stand scene right here?

Alan Nafzger: The concession stand scene serves as a short lived respite, permitting characters to regroup and exhibit particular person talents. It is like the attention of the typhoon, momentarily calm but surrounded via the tempest.

SCENE 109 to 110: Stairwell and Carrier Hall

Katy Room: Your script takes a fascinating flip with retired MMA opponents sacrificing themselves. Why this choice?

Alan Nafzger: It is a tribute to the ethos of MMA—valor, sacrifice, and teamwork. It additionally builds pressure; if those professional opponents are keen to present their lives, the risk should be serious.

SCENE 111 to 114: At the Cusp of Protection

Katy Room: Musk and Zuckerberg lock themselves within the locker room. How does this isolation give a contribution to the unfolding drama?

Alan Nafzger: The isolation magnifies their vulnerability. They have got misplaced their bodyguards, and now it is simply them, reinforcing the perception that they are able to best depend on each and every different regardless of their variations.

SCENE 115 to 117: McGregor’s Ultimate Stand

Katy Room: The Tennyson reference right through McGregor’s combat—what triggered that literary contact?

Alan Nafzger: McGregor is embodying heroism, just like Tennyson’s characters. It is a poetic nod to the gravity and doable futility of his combat.

SCENE 118: The Atomic Watermelon

Katy Room: An “atomic watermelon” makes an look. How life like is that this on this planet you’ve got created?

Alan Nafzger: It is a bit of a hyperbole however grounded in factual army era. It serves as a ticking clock, including urgency to the break out makes an attempt.

SCENE 119 to 121: Ultimate Confrontations

Katy Room: There’s a shift in environment as we see the devastation of the zombie assault is whole. May just you elaborate at the emotional pivot right here?

Alan Nafzger: After the action-packed sequences, those scenes pull the lens again to the characters’ emotional states. It’s the aftermath, reflecting the horror and disbelief of what simply transpired.

SCENE 122: The Unresolved Finishing

Katy Room: The screenplay ends on an open be aware. Is that this a setup for a sequel?

Alan Nafzger: It leaves room for interpretation and long run storytelling. The contention between Musk and Zuckerberg stays, and the sector continues to be unsure, making it an open-ended conclusion.

Katy Room: Regardless of the horrors, there’s banter between Musk and Zuckerberg. What does this say about their characters?

Alan Nafzger: It’s a nod to the indomitable human spirit and a peek into their advanced dating—aggressive but respectful. Even after combating zombies, some issues by no means exchange.

Katy Room: Thanks, Alan, for this enlightening dialog about your screenplay, which has intrigued each the business and the target audience. It’s an odd mixture of motion, humor, and deeper subject matters. Actually a billion-dollar thought.

Alan Nafzger: Thanks, Katy. It is been a excitement discussing the nuances of what could be my maximum audacious paintings but. I will best hope the target audience reveals it as enticing as this dialog.